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For interior designers.

Finishes, engraving and placement agreed before rough-in, so nothing lands on a wall you had planned for something else.

A bright coastal living room in white, oak and linen, sliding glass open to a garden, with a flush scene keypad beside the opening

The problem

A four gang plate turned up in the middle of the feature wall.

Plate positions, plate counts and finishes are set at rough-in, months before the room is dressed, and usually nobody asks. We agree them with you first: one flush keypad in place of a bank of switches, a finish chosen to match the door hardware, engraving in your wording, and speakers and displays set into the ceiling and the millwork so nothing is surface mounted.

Plates, engraving and placement.

Plates and finishes

One flush keypad per room in place of a bank of switches, in a finish chosen to match the door hardware and the wall it sits in.

Agreed before rough-in.

Engraving

Button wording set by how the room is actually used, in your language rather than ours.

Set before the plates are ordered.

Placement

Speakers as matched pairs on one plane, displays recessed flush, and nothing proud of the finish.

Set to the lines of the room and the millwork.

How we work with a design studio.

01

Room by room

We walk the plan with you and agree what each room has to do.

02

Finishes and wording

Plate finish, plate count and engraving agreed and recorded.

03

Rough-in

Positions set to the agreed plan before the walls close.

04

Dressing and commissioning

Lighting levels and scenes set once the room is furnished.

Tell us about the rooms.

We reply within two business days.